Saturday, May 16, 2009

Exploring new horizons of classical music


“GURU Shishya Parampara is the soul of Indian classical music,” believes accomplished Tabla artist Taal Yogi, Pt Suresh Talwalkar, who was in Nagpur to conduct a workshop on music organised by Nadbhrahma cultural organisation, when he shared his views on present scenario in classical music, new concepts introduced by him, his expectations from young talent, and of course, the scorching summer of Nagpur with me. This article is pre-published in The Hitavada on May 15.

On teaching classical music...
HE IS one of the greatest Tabla exponents of present times, has contributed immensely to the glorious tradition of Indian classical music as an expert musicologist, and is a versatile Guru. Pandit Sureshji Talwalkar, inspite of being busy with worldwide solo concerts, finds time to conduct workshops for children.
“My Gurus taught me that Sangeet, even if earned after a long Tapasya, is not your property. It is a cultural heritage of the nation. So, it is my duty to share it with the new generation.”
On Guru Shishya tradition...
Sureshji is an ardent follower of Guru Shishya tradition. He is also the chief Guru for a project based on Guru Shishya Parampara, initiated by a 100-year-old organisation in Kolhapur.
“I am associated with this organisations since last seven years. Importance of Guru is the greatest in music, as it is a Gurumukhi Vidya. It’s not only about information but, about Riyaaz (practise), Anubhav (experience), and Anubhuti (realisation).” He also advised students to follow any one Guru with complete dedication for achieving success.
On being a good disciple...
“A good disciple needs to have six qualities, surrender, devotion, heart, sincerity, punctuality and loyalty. Being a good disciple is the key to success in any field”
On novel concepts...

Pt Talwalkar has the credit of introducing new concepts in Indian classical music. His Taal Yatra, Taal Kirtan, Taal Mala and an idea of using vocal accompaniment for the Tabla solo, instead of only harmonium or saarangi.
“Firstly, when a singer sings, the laya is maintained on the Tabla by providing the appropriate theka. Secondly, words used in a vocal composition help the music lover identify the Tabla performance. It makes the Tabla solo more user-friendly,” said Panditji.

On awards and titles...
Sureshji has been honoured with a number of awards and titles, including ‘Sangeet Poornacharya’ by Poornawad Vishwa Vidya Pratisthan, ‘Swarasadhana Ratna’ by Abhinav Kala Samaj Indore, and most importantly, the title of ‘Taal Yogi’ by the Shankaracharya. “I spent sleepless nights when Shankaracharya announced the ‘Taal Yogi’ title for me. I take the honour as responsibility, and each title adds to the same.”
On Kirtan’s impact on him...
Kirtan is indeed a blend of music, vocal, and other dance art forms, and also an inspiration behind the new concepts introduced by Pt Talwalkar. As he hails from a Keertankar’s family, he is very attached to this art form. “Kirtan not only gives artististic accomplishment, but also instills values and principles in your personality.”
On Nagpur kids, and summer...
“I am quite impressed with the Nagpur kids. The three-day workshop has been a great success,” said Pt Talwalkar, mentioning that city audience has a musical ear.
“Nagpur audience is known to be choosy,” he said. However, conducting a workshop in scorching Nagpur heat was quite a difficult task.
“Its too hot! Moreover, I had a survical spondalities pain before coming to Nagpur. Thanks to efforts of ‘Nadabrahma’; I managed to come and conduct the workshop.”
Message to the new generation...
“I am happy that awareness is developing amongst youths about classical music. I would suggest them to hear more music, and learn from a good Guru. Riyaaz is the only key to success” says Pt Talwarkar with his signature ‘broad’ smile.